In the early nineties, newer and newer media appear on the scene out of nowhere. Digital conceptualism is born. In the last part of Course in New Music, we explore the question of how new audio-visual programs keep changing the work of composers. The specter of AI also makes the rounds.
As always, with numerous audio and visual examples. Explained on the grand piano and laptop. Followed by a panel discussion with participants from the fields of music, film and software development.
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